Rolling On

I've been painting. No, nothing exciting...bedroom walls. But, painting and writing for me share a symbiotic relationship. As I'm painstakingly doing all the cut work with a brush, I'm figuring out the plot points. This weekend, I was pondering the climax. As I teach my students, that's the point where a character makes a decision that starts solving the problems. In my second book, the major conflict is internal. My protagonist is struggling with his identity. Who does he really want to be? Will this be too "deep" for my young readers? Paint, paint, paint. Rolling paint requires much less concentration, so I tend to work through entire scenes and dialogue while I'm working. It's like watchi

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